What is the line Art Drawing?

What is the line Art Drawing? The line is one of seven elements of art. It is considered by many as the most fundamental pointing element. In terms of art, the line is regarded as a displacement point. A simple state of mind of a line introduces a topic that moves.

Drawing and painting with line

The line has an infinite number of applications in creating drawings and paints. Although we usually connect you to the drawing, it is also fundamentally painted.

To present

The most apparent use of the line is perhaps used to define the edges or limits of a subject. We can transmit the advantages of the issue with the line drawing. In most cases, when we start with a drawing, we begin with the subject’s outlines. The contours are only at the beginning because the line is also used to describe the subject’s details. Usually, we can simplify the line’s contrast areas on a topic.

The image below shows the photo reference next to the design resulting from a flower. The flower is communicated in the drawing. However, it would help determine that the drawing is not an exact replication of the connection. Only lines are utilized in the drawing, but the photo has much more complexity.

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As we can see, the line is excellent to describe a subject in a drawing, but describes them alone are not complete. Other elements of the art (especially value) must be used in addition to the line to create a realistic drawing.

The lines used to communicate the edges and describe the details of a subject (as will be seen above) are called contour lines. We call these lines in general.

Line quality

line Art Drawing

The quality of the line refers to the properties of the drawn line. In many cases, the quality of the line refers to the thickness of a line. By modifying the quality of the line (including thicker lines and thin), we create more exciting designs and provide more information to the viewer.

Take a look at the apple drawing below. Note how contour lines are thicker in areas. A thicker line is used when we see a shadow and the apple is slightly wider. In this way, we can share a piece of the shape of the apple and light with a simple line.

Cross lines

Cross-contour lines are more complex than outline lines. Cross-contour lines circulate on the shape of the subject. These lines can be implicit or visible. Cross-contour lines are mainly used when the line is used to shade a drawing with sliding and cross-shift.

To better understand the cross-contour lines, you can imagine that you run your finger on the surface of an apple. Start with the stem and remove. If you move your finger, imagine that you leave a line behind yourself. If you continue to repeat that make “lines” with your finger around the apple, you would have created cross-contour lines.

The significance of comprehending the idea of cross lines is in shading (or adding shadows and highlights) with the line. Depending on the object’s shape that you draw, these lines can bend or change the direction.

Shading with the line

The line can also be used for shadow drawings. Shading is the value development process. The value is the darkness or lightness of a color. The darker values ​​generally represent shadows, while the more precise values ​​usually represent highlights or lighter tones. The lines can be concentrated to produce darker values. The more the lines are used, the darkest is the perceived value. The more precise sounds can be obtained by making it whiter from the paper to show ropes through or less concentrated.

We can see this concept, which is shown in the photo below. The pepper was shaded with lines. In areas where the value is darker, other lines are used. In areas where the value is more accessible, fewer lines are used. You will also find that the quality of the line (variety in the line thickness) is also used to create an exciting drawing.

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You will also find that the lines in the shade of the draw curve are used, and the direction changes quickly depending on the shape of the pepper. This illustrates the concept of cross-out our lines previously discussed.


Swallows are the process of using directed linear moves that do not go through to develop shade in a drawing. Sliding can be used with any Malti drawing or medium, but it is preferable to use linear drawing support. Below we can see a drawing created with a pen and ink that hatch.


Cross-shift is the process of developing value (or shading) in a drawing or painting together, crosses. As with the leaflet, the greater the brand concentration, the higher the value. The sliding and cross-shift are often used together. Below you will find a drawing created with pen and ink, using the cross-shift.

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